Lights Out 2 Finally Flickers Back to Life After a Decade in the Dark
After nearly ten years of silence, Lights Out 2 has officially crept back into development, proving once again that in horror, nothing ever really stays buried… it just waits patiently in the shadows for the lights to go off.
According to The Hollywood Reporter, New Line Cinema has revived the long-dormant sequel, with writer Connor Osborne McIntyre now attached to pen the script. Producing duties will fall to Lawrence Grey, Eric Heisserer, and David F. Sandberg, with James Wan’s Atomic Monster also involved. That is a pretty serious horror pedigree, which immediately raises expectations… and also raises the question: what took so long?
From Viral Short to Horror Smash Hit

To understand why this sequel matters, you have to go back to where it all began. Before it was a feature film, Lights Out was a short film that went viral online, created by David F. Sandberg. The concept was beautifully simple and absolutely terrifying: turn the lights off, something appears. Turn them back on, it’s gone. Repeat until your nerves are completely shot.
That short, which horror fans will already know (and if you don’t, go watch it immediately… preferably alone, at night, like a sensible person), became a prime example of how minimalist horror can hit harder than a £200 million blockbuster. It also earned its place on Stalk & Slash’s Horror Shorts In Focus series, where it was rightly celebrated as a masterclass in tension, timing and pure, unfiltered dread.
Hollywood, naturally, saw this and said, “Yes, we will take that, make it bigger, and hopefully not ruin it.”
The 2016 Film That Proved Simplicity Still Works
Released in 2016, Lights Out became one of the great modern horror success stories. Directed by Sandberg and written by Eric Heisserer, the film starred Teresa Palmer, Maria Bello, and Gabriel Bateman.
The premise remained faithful to the short: a supernatural entity that only appears in darkness begins tormenting a fractured family. But the feature expanded the mythology, introducing the character of Diana and tying her presence to the family’s past trauma. It was not just jump scares, it had emotional weight, which is always a bonus when you are trying not to spill your drink every five minutes.
Financially, it was a monster hit. Made for around $5 million, it went on to gross approximately $149 million worldwide. That is the kind of return that usually has studios greenlighting sequels before the end credits have even finished rolling. And in fact, a sequel was announced just a week after release.
Then… nothing.

A Decade in the Dark
For ten years, Lights Out 2 existed in that strange Hollywood limbo where projects are technically alive but also very much not happening. Sandberg himself even commented in 2024 that an earlier version of the sequel would no longer work as originally planned, largely because time had passed and the characters, particularly Martin (played by Gabriel Bateman), would now be much older.
Which, ironically, might actually make for a better film. Horror sequels that acknowledge time passing tend to hit harder. Trauma does not just disappear because the credits rolled.
Now, with New Line officially moving forward again, it looks like the lights have finally been switched back on… or off, depending on how you look at it.
What Could Lights Out 2 Be?
Plot details are currently locked away tighter than a fuse box in a haunted house, but the setup practically writes itself. A time jump opens the door to explore how surviving something like Diana would affect people long-term. Does the entity return? Did it ever truly leave? Has it been lurking in the background this entire time, waiting for the perfect moment to flick the switch again?
With James Wan’s Atomic Monster involved, expect the sequel to lean into atmosphere and tension rather than just throwing cheap scares at the screen. Wan has built a career on understanding that what you cannot see is often far more terrifying than what you can.

Why This One Matters
There is a reason people still talk about Lights Out. It tapped into a universal fear that everyone understands. We have all stood in a dark room and thought, “There is absolutely something behind me.” This film simply confirmed it.
The original short proved that horror does not need complexity to be effective. The feature proved that expanding that idea can still work when handled carefully. Now, Lights Out 2 has the chance to do something even harder… justify its existence after a decade of waiting.
No pressure, then.
But if they get it right, do not be surprised if a whole new generation starts sleeping with the lights on again.
