Clayface Review: DC Gives Its Shapeshifting Villain a Face Full of Trouble
After Joker proved that a DC villain could headline a…
Macbeth in Compton Review: Shakespeare, Skid Row Records and One Very Big Gold Chain
William Shakespeare probably never imagined Macbeth opening with cars cruising…
Onslaught Review: Super Soldiers, Chainsaws and Dan Stevens Licking High Heels
There are films influenced by John Carpenter, and then there…
She Listens Alone Review: Therapy, Stalking and the Client from Hell
Being a therapist means listening to people’s problems without screaming,…
Demon Dancer: Sua/Nara Review: Ballet, Demons and a Heroine Who Kicks Everything
If somebody pitched Demon Dancer: Sua/Nara as “a ballerina allows…
Killer Thong Review: The Underwear Is Flying and Nobody Is Safe
Cinema has already given us killer tomatoes, a murderous car…
Spades Review: An Undead Vigilante Deals Out Brutal Justice
Johnny Yong Bosch has spent more than three decades kicking…
Hungry Review: A Killer Hippo With an Appetite for Tourists
Creature features have thrown almost every conceivable predator at unfortunate…
Sombras Chinas Review: Found Footage for the Influencer Generation
Cinema has spent well over a century working with the…
Teenage Sex and Death at Camp Miasma Review: Slashers, Sex and a Serious Case of Overthinking It
There is a moment in Teenage Sex and Death at…
Give Me Something Good Review: Halloween Horror Made With Heart, But Familiarity Bites
Low budget horror has always been one of the great…
Noblestone Review: A Strange, Uneven Curiosity Made on Sheer Determination
There are independent films made with small budgets, and then…
Ice Cream Man Review: Eli Roth Serves Up Plenty of Gore But Not Much Else
There are certain names in horror that come with expectations,…
Evil Dead Burn (2026) Review: French Extremity Meets Deadite Carnage
There are horror franchises that become increasingly watered down as…
Scary Movie (2026) Review: The Joke Has Finally Run Out Of Steam
Back in 2000, the original Scary Movie arrived at exactly…
Backrooms (2026) Review: Kane Parsons Successfully Expands The Internet Horror Phenomenon
The journey from internet creepypasta to major motion picture is…
Undertone Review: When Sound Alone Becomes the Scariest Thing in the Room
If you’ve ever sat in silence at night and convinced…
Do Not Enter Review: Influencer Idiots, Creepy Corridors, and a Hotel Full of Bad Ideas
A group of wannabe internet explorers go looking for hidden…
Dolly Review: A Porcelain-Faced Nightmare Stalks the Tennessee Woods
Slashers are having a bit of a resurgence lately. For…