
Also Known As: Brenda Bates, The Urban Legend Killer, The Campus Slasher
First Appearance: Urban Legend (1998)
Most Iconic Form: Hooded killer with a parka and hunting knife, stalking victims inspired by popular urban myths
Kill Count: 9 confirmed victims
Portrayed by: Rebecca Gayheart
Tier: Third Class Tier
Urban Legend (1998)

Jamie Blanks’s Urban Legend arrived at the height of the late-1990s slasher renaissance and quickly distinguished itself through its creative premise: a killer who stages murders based on classic urban myths. While the film initially presents itself as a whodunnit in the tradition of Scream, its true twist lies in its villain — Brenda Bates, a seemingly sweet, bubbly college student hiding a mind consumed by vengeance.
The story unfolds at Pendleton University, a campus obsessed with tales of urban legends — the killer in the back seat, the pop rocks and soda, the hanging boyfriend. When students begin dying in ways that mimic these stories, suspicion falls on everyone. Natalie, the film’s protagonist, becomes the centre of the mystery as those around her are slaughtered one by one in increasingly elaborate ways.
The final act unveils Brenda as the murderer, and her motivation reframes the entire film. Two years earlier, Natalie and her friend Michelle accidentally killed Brenda’s fiancé in a car accident. The grief shattered her sanity, and she returned to Pendleton to exact revenge. Her plan is sadistic and theatrical. Each killing references a different urban legend, transforming her vengeance into a dark performance art of folklore and blood.
When Brenda finally reveals herself, Rebecca Gayheart’s performance switches from sweetness to manic glee. Her wild eyes and sharp smile embody the hysteria of a woman who has turned grief into obsession. She taunts Natalie while explaining her motives, delivering one of the most flamboyant villain monologues of the 1990s.
The final confrontation takes place in a storm-battered university hall. After an intense struggle, Brenda is thrown through a window and presumed dead — only to reappear in the film’s closing moments, hinting at her survival.

Psychology and Behaviour
Brenda Bates is the archetypal “avenging angel gone mad.” Her actions are driven by personal trauma rather than supernatural influence. Her intelligence and charm mask her instability, allowing her to manipulate those around her with ease.
She displays meticulous planning and deep understanding of human psychology. Each killing is designed not only to terrify but to teach, echoing the cautionary nature of the urban legends she imitates. Beneath her theatricality lies genuine grief — a twisted need to restore balance by making others suffer as she did.
Brenda’s personality flickers between extremes: flirtatious and friendly one moment, predatory and vicious the next. She thrives on control and the thrill of narrative, turning her murders into a story she directs with herself as both star and survivor.

Urban Legends Final Cut (2000) and Legacy
Brenda is absent from the sequel in person, but her legend lives on. The events of Pendleton are treated as myth, reinforcing her transformation from woman to campus ghost story. Her name appears in passing, her mask and parka serving as relics of her crimes.
Though Urban Legends Final Cut and Urban Legends Bloody Mary expanded the franchise, none of the later killers achieved Brenda’s blend of charisma and mania. She remains the defining face of the series — a product of late-90s self-aware horror and the era’s fascination with killers who are as articulate as they are deranged.
Rebecca Gayheart’s portrayal became instantly memorable, balancing tragedy, humour, and madness. Her climactic grin, framed in lightning, is one of the genre’s most GIF-worthy moments.
Cultural Impact

Urban Legend contributed to the wave of meta-slasher films that explored the power of storytelling and media. Brenda Bates stands out for her theatricality and intelligence. She kills not out of random malice but through a twisted devotion to narrative — a murderer who treats folklore as scripture.
Her design — the heavy parka, the gleaming hunting knife, the echoing campus corridors — evokes a modern fairy tale dressed in slasher clothing. She became one of the few female killers of the 1990s to achieve cult status, inspiring later characters who blend grief and spectacle, such as Jill Roberts in Scream 4 and Mary Shaw in Dead Silence.
88 Films released the Urban Legends Trilogy Boxset on Blu-ray. Available Here
League Placement
Brenda Bates belongs in the Third Class Tier. She is brilliant, flamboyant, and unforgettable, yet confined to her single story. Within her film, she dominates — a slasher villain who turns myth into method and vengeance into art.
