Also Known As: Audrey II, Twoey, The Mean Green Mother from Outer Space
First Appearance: The Little Shop of Horrors (1960)
Most Iconic Form: A gigantic, talking, carnivorous plant with a booming voice, a taste for human blood, and a flair for showmanship
Kill Count: Numerous implied victims
Voiced by: Levi Stubbs (Little Shop of Horrors, 1986)
Tier: Second Class Tier
The Little Shop of Horrors (1960)
Roger Corman’s original The Little Shop of Horrors began as a darkly comic B movie shot in only a few days. It told the story of Seymour Krelborn, a meek florist’s assistant who grows a strange plant that demands human blood. Seymour names it Audrey Junior after his co-worker and secret crush.
The film is both ridiculous and unsettling. Audrey Junior’s playful voice and ever-growing appetite slowly push Seymour towards desperation and guilt. As he begins to feed it corpses, the story turns from silly to sinister. The plant’s final act, consuming Seymour himself, cements it as a clever morality tale. Corman’s version established the foundation for what would become one of cinema’s most imaginative horror icons.
Little Shop of Horrors (1986)
Frank Oz’s musical adaptation transformed the story into a spectacular mix of horror, comedy and tragedy. The creature became Audrey II, a talking, singing, intergalactic predator with a dazzling personality.
Seymour, played by Rick Moranis, discovers Audrey II after a solar eclipse and soon learns it feeds on blood. At first, a few drops from his finger keep it satisfied, but its hunger grows as it gains strength. Audrey II encourages Seymour to feed it full bodies, promising fame, fortune and love in return.
Levi Stubbs’s performance gives the plant extraordinary presence. His rich, soulful voice makes Audrey II as funny as it is frightening. Through songs such as “Feed Me” and “Mean Green Mother from Outer Space”, the plant manipulates Seymour into doing its bidding with irresistible rhythm and charm.
The puppetry used to create Audrey II remains one of cinema’s greatest achievements. The creature’s movement, lip sync and facial expressions are astonishingly lifelike. When Audrey II fills the screen, its charisma dominates the film completely.
Two endings exist for the story. The theatrical version ends with Seymour killing the plant and escaping with Audrey, while the restored original ending shows the true horror. Audrey II multiplies, invades the world and devours humanity, a darkly comic vision of global destruction.
Biology and Behaviour
Audrey II is an extraterrestrial parasite disguised as a plant. It possesses intelligence, speech and a deep understanding of human desire. Its growth is powered by blood and flesh, and it can reproduce through spores and cuttings, allowing it to spread rapidly once it reaches maturity.
It hides its predatory nature behind charm. It observes human weaknesses and offers temptation in exchange for nourishment. Audrey II never attacks without purpose; it waits, persuades and convinces. The true danger lies not in its strength but in its ability to corrupt.
Personality and Psychology
Audrey II is one of horror’s most charismatic villains. It behaves like a showman, speaking in rhythmic slang and performing its manipulation with gleeful confidence. It is self-aware, proud and theatrical, enjoying every moment of its deception.
Despite its sense of humour, Audrey II is a pure predator. It views people as a means to an end, using flattery and false friendship to get what it wants. The creature’s personality makes it uniquely dangerous. It understands that persuasion is more powerful than force.
Audrey II is not evil in a traditional sense. It is nature evolved beyond morality, driven entirely by instinct and hunger.
Cultural Impact
Audrey II remains one of the most celebrated creations in horror and musical cinema. The 1986 film has become a cult classic, admired for its music, wit and groundbreaking effects. The line “Feed me, Seymour” entered popular culture as a phrase synonymous with greed and excess.
The creature has appeared in stage revivals, cartoons and endless homages across film and television. It stands as proof that monsters can entertain, terrify and make us laugh at the same time.
The story of Little Shop of Horrors endures because it speaks to universal truths. Ambition can devour integrity. Temptation can destroy love. Audrey II simply gives those ideas a voice, a rhythm and a set of enormous teeth.
League Placement
Audrey II belongs in the Second Class Tier. It is a magnificent creation that combines horror and humour in perfect harmony. Intelligent, seductive and spectacular, it remains one of the most memorable monsters in film history.